New Chop for the New Year

I can't believe I haven't posted anything on my blog for such a long time. I guess it is because I have been working too much overtime and haven't had the chance to write anything or make any new pots.
I just received my new potter's stamp ("chop") from http://www.4clay.com/. I love it. I'll be using this on all my pots I make this year.
I just ordered up a bunch of new supplies for the studio so hopefully I'll start throwing again real soon. Some of the things I have planned are horse hair pots, saggar fired pots, and a lot of burnishing. Stay tuned.

How To Make A Chawan

I just came across this video yesterday. It is fantastic. It is also a very strange coincidence that my very first hand carved chawan was done the same way as in this video. Furthermore I went on to make my own trimming tools and made them the same way as seen in the video. This is like 5 years ago. Anyway, here is the line to the video "How To Make A Chawan."

More Toad Houses

 Thanks to my friend Kelli. She asked for a Mr. Turd House and once she had that in her hands she ordered another.

Another Toad House

I made this toad house for my friends Dan and Amy and posted a photo on Dan's facebook page. That photo post resulted in a Toad House Boom. I think that day I received about a dozen requests, which resulted in more requests. I guess I'll keep making them till the demand dries up.

More Toad Houses

Still working on toad houses. I had no idea they would be so popular. Have four left to make and then on to the next thing, although I have no idea what that "next thing" is going to be.

Toad Castle

This past weekend I decided to make a toad castle. I actually threw this on the wheel in two pieces, basically a cylinder and the cone shaped roof.  I rolled out a piece of clay and attached it to the roof and then cut the stones out with an exacto knife.
Once the castle pieces were thrown on the wheel I did the remainder of the work outside. It was sunny with a slight breeze which caused the clay to dry a lot faster than I had expected. I had originally planned on adding a turret off to the side but the clay became to dry to do that. Next time.

Terra Cotta Toad House

Here is one of the finished toad houses. Made out of terra cotta, decorated with a red iron wash, and fired to cone 05.

Toad Houses

This weekend I decided to make a few terra cotta toad houses. I'm not going to use any glazes but I will use an iron oxide wash to highlight the lettering and incised lines.
These are already spoken for. Not only should I have made more this weekend, I should have made them before summer started.
They will look great in the garden.

Fire In The Valley

Check out my interview on WKBT News 8 La Crosse, WI. "Fire In The Valley."

Femlins Update

I finally painted the red lips on the Femlin tumblers. It took a hell of a lot longer than I originally thought it would. With a pencil I drew the lips on all the tumblers. then I grabbed some red glaze and thought I could use a wooden toothpick to apply the glaze to the very small lips I had drawn. Right away I realized this wasn't going to work. It worked great for Lichtenstein plate I made.
I ended up using the finest brush I had and painted wax resist around the exterior lines of lips. Then, using the same brush I applied the red glaze. This worked well and went real fast but since I used the wax resist it required me to fire the tumblers one more time to get rid of the wax so I apply a clear glaze to the exteriors. This was the third firing. Now I just need to apply the clear glaze and fire one last time to cone 04.

Getting Closer to the Kiln

Getting closer to firing these tumblers.  The last step is adding red lips to the femlins. Hope to finish that today.
The exterior of the tumblers was brush stroked with black underglaze. The interior is a white majolica base glaze. To get a perfect line between the rim and the interior I used a latex wax resist to coat the rims and then applied the majolica base glaze.
I was a little pissed to discover I was a bit sloppy using the wax resist on one of the tumblers and it dripped from the rim half way down the exterior so now I am going to have to fire it to get rid of the wax before I can apply a clear glaze. Getting closer.

New Set of Tumblers

Yeah, yeah, yeah. Not the best of photos but these are some of my latest tumblers I'm working on.
Was reading some jokes in Playboy magazine and was inspired to put my version of LeRoy Neiman's "Femlins" on some cups.
I used a white clay body that has a firing range of cone 06 to cone 10 made by Continental Clay. I used black underglaze to paint the  femlins. It took me all day yesterday to paint the tumblers and this is as far as I've gotten. Will have to start on the final details today.
I think once the femlins are finished I am going to pick a solid bright colored glaze for the interior and a clear glaze on the outside. I'm hoping this clay body fires to a bright white. We'll see.

Pulled Handles

I like the fluidity of handles that are pulled directly from the mug. For those of you that do not know what pulled handles are, here is a quick description.
First I roll out coil of clay about 2-inches wide and a foot long. Then I dip that coil in in a 5-gallon bucket of water. With my right hand I lightly grip the coil and pull downward till I get to the bottom of the coil. I then dip the coil again and make another pull. I repeat this process till I get a nice long smooth coil.
Next I place the coil on my wedging board and cut it into pieces that fit the size mugs I made. The remnant of the pulled coil can be seen in the lower left corner of this photo.
Next step is to slip and score the mugs and the handle pieces and attach them to the mugs, as seen above. Once I have all the handles attached to the mugs I repeat the "pulling" process right off the mug pulling the handle in a downward motion and attach the bottom of the handle to the mug with my thumb. I cut the excess off and use my personalized stamp for the final touch.

Finished Pulled Handles

Finished pulled handles. After pressing the bottom of the handle to the mugs with my thumb I cut the excess clay from the bottom of the handle with a felting knife even with the bottom of the mug. To finish them off I use a stamp with my initials and stamp the area of the thumb indentation.

Red Solo Mugs

Red Solo Mugs. Just felt like making a set of them. I had the glazes and just did it. They're gone. Now I'm going to have to make a set for myself.

Ass Tray

I made another ash try. I had some more people ask for them. Talking over a few beers we came up with the idea of "ass trays" and ""ass buckets."
This one was actually just going to be a bucket with indentations for the butts on the rim but some how I came up with the idea of drilling holes on the sides so you can insert the burning cigarette. I thought it would be good for the outdoors. Seemed like a great idea.
This is 5 inches wide, 3 inches tall, decorated with Amaco majolica glazes and fired to cone 04.

Next in the plate series.

"The Scream." This is what I'm working on now. I think it is going to be my biggest challenge in the famous artwork plate series.
I have already thrown the plate and carved the basic lines into the plate. Yesterday I bisque fired the plate and today I plan to start painting.
I'm using majolica glazes like I have for all the other plates but I think it would be a lot easier using underglaze pencils. This is going to be a test of my brush stroke abilities.

Horse Hair Raku

This is my latest raku fired pot. I came across a bottle of ferric chloride in my studio and thought I'd give it a try.
First I threw and trimmed the pot and once it was leather hard I hand burnished the vase with the back of a metal spoon. I bisque fired it to cone 08, about 1700 degrees F.
Next step was the raku kiln. When fired to temp I pulled the glowing orange pot from the kiln with a set of tongs and set it on a soft kiln brick. I let it cool for about a minute or two and then applied strands of horse hair which burned on the pot and left the black marks. Next I put on a safety respirator and sprayed the ferric chloride onto the pot from an ordinary plastic spray bottle, which gave it the nice brownish color. To enhance the sheen I applied a light coat of paste wax and buffed it to make it more glossy.

Bad Day

Monday morning did not start off well. Two of my vases blew up in the bisque fire.  The force of the blasting shards cracked my latest famous artists plate. Have no idea how I brought the temperature up so quickly.
The plate is Franz Marc's "Blue Horse." I carved the image after I had trimmed the plate and it is surely one of the best I have done, so I was pretty pissed off when I hear the popping pot.
Good thing I didn't put my Edvard Munch plate in the same load. I Carved the image of "The Scream" into the plate the same way as this broken plate. I have a good feeling about it.
Anyway, it is time to throw another plate and carve the "Blue Horse" again.

Mondrian Plate

Piet Mondrian's "Composition II in Red Yellow and Blue." All I can say is that painting this was not as easy as I thought it would be. It was the black lines that was the difficult part.
I actually fired this plate three times. The first time I fired it to approximately cone 06 to harden up the white base coat of majolica glaze. Then I used scotch tape to mask-out the lines for the red, blue and yellow. Once painted I fired it again to cone 06.
Then I masked-out and painted the black lines and fired it to cone 04.