Burner/Mixer Pins

Cleaning the burner mixer pins has definately been the easiest part of getting this kiln into operation. Just going to polish these up with some WD-40 and a small wire brush. Will unscrew the orifices and clean them with the proper sized torch head cleaner.

During the moving of the kiln we accidently broke two of these mixer pins from the burner system. Just a minor set back but I still haven't found the replacements yet, but think I moight have found a company in New Mexico that sells them. If not, I'll just make my own.

Burner/Mixer Pins

Separating the burner mixer pins from the venturi base plate wasn't an easy job but made much easier with the help of a big-ass pipe wrench, a vise, and some WD-40.

Once I got the base plate broke loose from the pin I sprayed the WD-40 on the pin and worked the plate back and forth with the wrench until I could turn it and spin it with my hands.

Kiln Burners

To clean the burners I completely disassembled them and then used power tools with wire brush attatchments. This really knocked the rust down and smoothed them up real nice, inside and out.

Slow Going

Everything about getting this kiln into operation is slow going. I suppose its because after I work a ten-hour shift at my "paying" job and by the time I get to the studio, I don't feel like working more than an hour or two.

I wanted to finish the top of the kiln yesterday but this is as far as I got after an hour and a half. Although I had previously crushed the IFB, they were not crushed into small enough pieces and I had to crush them again. Two beers later and when I took this photo all I kept thinking about the song lyrics "breaking rocks in the hot sun, I fought the law and the law won."

Working overtime at the "paying" job today and tomorrow but hope to have the crushed IFB done today. And hopefully tomorrow I can finish the damper/flue bricks. I need to sand them down a little bit so that they're flat and even.

Nuts!

I'm working on the kiln's burner system now. There are ten of these venturi burners and all of them were filled with nuts. Somewhere out in the woods is one pissed off squirrel.

Once the nuts and other debris was cleaned out of the burners I put a round wire brush on the end of an electric drill and cleaned the hell out of the inside and outside.

The otherday I removed the pilot ring and cleaned every pilot hole, 187 of them.

During the move we accidently broke two of the mixer pins, (the threaded piece at the end of this burner), so I'm trying to hunt down two replacements. Also will need a new thermocoupler. Once I get that done I'll reassemble everything and set it up under the kiln for operation.

Kiln Insulation

Laid down the fiber, one-inch 8lb. density. I had a bunch of replacement IFBs for an electic kiln so I decided to place them around the edges. Had enough to go two rows on each side and they seemed to fit together well so I used them up.

I cut the center flue bricks out of K26 IFBs and set them in place. I had to order some kiln cement so I'll cement them in place when that arrives.

I plan on filling in the rest with an even layer of crushed IFB and will eventually cover the top with some 16 gauge sheet metal.

Fixing Up The Kiln

A little bit of work needs to be done to the top of the kiln. Will be putting a layer of brick around the flue holes first. Then I was thinking about putting down an inch layer of fiber over the arch. Not sure yet but I have bunches of broken up IFBs and was considering covering the fiber, to the left and right of the damper, with that and evening it out to the top of kiln.

Free Kiln For The Moving

This is about an hour into the project. The first step was to demolish the structure that the kiln was in. Once all the debris was moved aside it was time to fork it and move. Didn't happen that way. The damn thing weighed 3,ooo pounds and the skid steer couldn't lift it. So the door was removed to make it lighter. Even then the skid steer could barely fork it. It was pushed to its limit for sure.

The Tough Part

This was the tough part and when I really thought we might loose the kiln. I really thought it would roll right off the skid steer. Although it might look like the skid steer has this kiln off the ground a good deal, it isn't. The damn thing was too heavy. Instead of just forking and driving the kiln up the hill we lifted the kiln up a couple of inched and slid boards under the metal base of the kiln and then pushed it up the hill. Slow going but it worked like a charm.

Loaded

Finally loaded (the kiln). Beer Break! Only took about 3 hours. Now its just a short five mile trip to the studio.

Needs A Door

Needs a door but not before a quick beer break. One of the several people who made this move possible. Thank you Greg Gerke, "the Crazy Carpenter."

Kiln In Place

Well, the kiln is in place. A million thanks to my friend Darrel and his buddies who spent all afternoon moving this beast. Next step is to work on the burner system. Needs a good cleaning and looks like it needs a new pilot igniter.

Kanna Trimming Tool

Here is a photo of my newest trimming tool. It is a Japanese style trimming tool called a Kanna. This one is 8-inches long with a wooden handle.

The blade is just 3/4-inch steel strapping band that I cut with tin shears and then bent in a table vise. I used a Dremmel tool with a stone tip to shapen the edges. The two halves of the wooden handle are oak, which were glued to the metal blade and then stained and polished.

Tea Bowl Profile

I really hate cutting pots in half but it does provide some good insight. My facebook buddy and tea bowl sensei Cory Lum asked me to post this picture so he could see how my carving/trimming skills are.

I was really really suprised that this bowl was thrown and trimmed so evenly. After I trimmed it with the new kanna that I made, I held the bowl in my hands and I just had a feeling that this bowl was "good." It just felt good.

I didn't have any bowls wet enough to cut in half with a cut off wire so I used a hack saw blade and gently cut the leather hard bowl in half. I was pleasantly suprised. In fact so much more I even sawed some more tea bowls. I think I'm at a point now, after examining the profiles of these bowls, that I will not have to saw any more in half.

A Different Foot

I kind of like this hand carved foot. Its different. Kind of reminds me of a sea shell, and its kind of interesting. Once I carved the circular line to the center, I used a kanna to recess the the center of the sea shell shape.

Foot #1

I used a kanna to trim the foot of this bowl and then used a serated metal rib to finish the interior or the foot. I like this type of foot.

Foot #2

My feet are getting better. Hand carved, smooth on the bottom and rough in the center.

Foot #3

I'm getting much faster at trimming my feet.

Chawan Halved

This is the way my bowls start out. I asked my FaceBook friend Cory Lum to give me some pointers and critique my work and he gladly accepted my plea. Cory asked me to post a few photos and here they are. So, basically this is for Cory and to help him out check out his video of making and trimming a chawan as well as his etsy site.

Still Carving Kodai

I'm still working on carving the kodai. Like I said before, it either makes or breaks the piece. I carved this foot last Friday. Since then I have thown a bunch more chawan and have improved my carving. Will post more photos soon.

Hand Carved Kodai

Chawan

I've been throwing tea bowls (chawan) lately. I've mentioned in earlier posts that its easy to throw a cylander that is round with a smooth even lip and a perfectly trimmed foot but in reality the pot or form itself has no character. Here is a link to some of my earlier thrown tea bowls. Yeah, they're nice wood fired pieces but I feel that the only interesting thing about them is the glaze.

This is one of my latest tea bowls. Initially wheel thrown and then altered. The base and foot were hand carved. This is much closer to what I would call a chawan. I think it has character. It pleasing to hold and interesting to look at. Plan on making a bunch more today.

The Kodai

The kodai, pronounced "koudai," is a very important part of the chawan and contains a wealth of information when looked at closely.

For instance the hand-carved foot reveals the skill and spirit of the potter. It also is the only unglazed spot on the piece that reveals the nature of the clay body. The only other thing I can say about the kodai is that it ultimately "Makes" or "Breaks" the piece. If its "bad" even an idiot will know it.

I'm still carving kodai and a lot of them look like shit as far as I'm concerned but I'm keeping the pieces to test some glazes on. The kodai pictured here is one of my better ones. I'll keep practicing.

Chawan

These are my latest tea bowls (chawan). I am quite pleased with this last batch. In the past all my tea bowls have been too "anal," according to other potters. I can throw bowls to a set dimension with perfect smooth interiors and exteriors but that is not a chawan. Plus, they really are uninteresting forms with no character. Throwing "loose," as other potters call it, has always been difficult for me. I don't know why. Thanks go out to my FaceBook friend Cory Lum who posted a video of how he throws chawan. It helped me a great deal. Now I just need to practice hand-carving the feet. They're not bad (maybe they are) but they still need some work.

Pinch Pot Fish

I got a little bored this weekend in the studio. And I remembered that I recently saw a YouTube video of some guy making a pinch pot fish. Just thought I'd give it a try. They don't take long to make and would be a great project for little kids. Actually, its a fun adult project too.

Didn't get my kiln moved into the studio yet but I did throw tea bowls on all three wheels that I made.

Finished Product

Well, it took a long time but I finally finished my kick wheel. I'm not really sure of the "proper" name for this style of wheel. I would call it a "kick wheel." I have heard others refer to it as a "Korean Style Kick Wheel." And, I suppose if you make pottery on this type of wheel in the Onggi tradition it would be called an "Onggi" wheel. What ever the proper name, this wheel turned out much better than I could have ever imagined.

I was going to try it out yesterday but just couldn't bring myself to throwing a bunch of clay on this beautiful wheel so I threw some pots on my stand-up treadle wheel.

Yes it is pretty but I made it to use so today after work I'm throwing some mud on it.

Korean Style Kick Wheel

I finally got off my dead ass and had the local machine shop fabricate the shaft and baseplate for my Korean Style Kick Wheel.

I did make some changes to the wheel design. I did keep the 1-inch flange bearing on the underside of the wheel head but decided to go with a 1-1/4-inch flange on the bottom.

The baseplate is 22 inches in diameter and I had the machine shop cut the 3/8-inch steel plate round just because I thought it would look better.

There is a 6-inch square steel plate welded to the base. A hole was drilled through both plates and the shaft was inserted and welded into that. The square plate was added just for strength. For my next wheel I am not going to weld the 6-inch plate to the base. I will have holes drilled and tapped to accept stove bolts to attatch the shaft to the base. If you decide to build one you'll see why.

Anyway, this wheel is pretty sweet. The last thing I have to do is re-drill the hole in the bottom of the wheel so that it will accept the 1-1/4 inch shaft. Originally it was built for a 1-inch shaft.

If you hadn't read all the previous posts about the building process of this wheel and are interested in building your own wheel, just search my archives on this blog.

Clay Extruder

I decided my studio was too small to mount this big beast on a table top so I decided to buy a piece of straight pipe, drilled some holes in it, and mounted it to the wall. Worked out very well.

I'm also going through the process of giving my studio a make-over/remodel job. Basically about the only things I want in this room are my three wheels, my two work tables, A shelf for ware and a bisque kiln in one corner of the room.

Under the tables I'll keep basic tools, some clay buckets, and low fire glazes and underglazes. All my bucket glazes were moved to the basement. Actually a lot of stuff was moved to the basement.

I moved out an old pot bellied stove that was in one corner of the room to make way for the kiln. Next step is to put up some cement board and a venting system and get it wired.

Plan on finishing the paneling and doing some trim work around the windows and doors. Also have s little bit of insulation to put up and will do a little bit of painting. Probably a lot more work to do but this will at least give me a nice space to work in without bumping into anything. I posted a photo album on my facebook page of the mess I've created. One look at it will reveal why I had to do it.

Gonna' miss the beer fridge, but it won't be too far away.

Clay Extruder/After photo

A little bit of elbow grease, a can of spray paint, ($3.79), and 2 new bolts, ($0.79).

Not a bad. This extruder is supposed to be mounted to a table or work bench but I am going to make a new mounting bracket and secure it to a wall in my studio.

Clay Extruder

My friend Ryan gave me this old clay extruder. I thought maybe it was due for the scrap yard but after examining it more closely I decided to knock the rust off, clean it up, and add some new pait to it.

Sitdown Motorized Potter's Wheel

Well, after hours of internet image searching I found a picture of the "unknown" potter's wheel. At least I'm pretty sure this is the wheel. Still don't have a name for it yet but did find out it has a variable speed, pedal operated, Dayton split phase motor. Still seeking more information and comments about it.

New Old Wheel

A new addition to my studio. This is a really cool table top potter's wheel that was given to me by my friend Ryan. I think the only things missing from this wheel is the manufacturer's name plate and the motor. Can anybody out there tell me anything about this wheel. Would love to know who made it and the approximate age.

I'm thinking this is just a simple table top motorized potter's wheel but perhaps it had another function. There are 4 screw holes along the top of the rim that I have no idea what their purpose is. Kind looks like steel rods or pins can be inserted into the holes and then there is a set screw on the outside to secure the rods or pins. Anyway, any information on this wheel would be greatly appreciated.

Ceramic Adhesives

Ok! I finished my adhesive testing, and no I didn't sniff them. Some potter friends of mine told me to use epoxy. Non-potter friends but who are extremely talented in their own industrial occupations told me to use E6000. I researched the E6000 on the internet and everything I read said there wasn't anything that this stuff wouldn't bond. The propaganda was just too good so I bought a tube of it to try thinking this was the stuff. I do have to say it is damn good stuff for certain applications and I do believe E6000 will bond anything together but if you looking for something with load bearing weight capabilities, don't use use it. As you can see in the photo to the right, it can't take the weight. After 4 minutes this hanging cement block crashed to the floor.

The other adhesive was Gorilla Epoxy. It was the only epoxy WalMart had so I bought it. It set up in 5 minutes and when I hung the cement block up in the air., it was rock solid. In fact its still hanging. I'm sure regular epoxy will work just as well, but I'm sticking with Gorilla Epoxy to mount the hardware to hang my wall sculpture.

Getting Closer

Getting a bit closer to firing although it seems like it is taking forever for this sculpture to dry.

I made the decision to raku fire this. Don't know how I'm going to do that since this torso will not fit in my fiber raku kiln. I guess I am going to have to try to fire it in my brick kiln and hope it survives and comes out the way I planned.

Oh, the way I planned..... I painted the body of the dancer with black underglaze. I wanted this completely black and if I raku fire this I wasn't sure if the post reduction firing would make it as black as I had in mind. This will take care of that. The leotard dance suit will get a coat of Ferguson's Turquoise Raku Glaze, which should turn out a brilliant gloss turquoise and after a post reduction firing should have a very nice raku crackle pattern. Anyway, thats the plan. Will figure out the firing details in the next couple days.

Another Torso

I finished another torso this weekend. The second torso sculpture went quite fast. I think I only have about four hours into it at this point.

The torso on the left is actually a dancer wearing leotards. The torso on the right is just a naked torso. I think I am going to use slips and underglazes on both.

The big problem I have now is how I am going to display the torsos. Originally the plan was to make them as wall hangings but they are kind of large and heavy and I didn't thing I could make anything out of clay that would support the sculptures. Now I am thinking about trying epoxy glue and some wire and picture frame hardware. The torso on the right I would like to try to mount it to a brass pole that is attatched to a thick square piece of marble, so that it stands upright. Once again I'm thinking about using epoxy. If anyone has any suggestions for me I'm very much interested in hearing them.

Torso II

I finished the torso sculpture this weekend. Right now it is 31 inches tall. I need it to shrink at least another inch to fit in my bisque kiln. Two inches would be better. Was thinking about making this a wall hanging piece to be Raku fired in my wood burning kiln. Planning on using a Turquoise crackle glaze on the body suit and either a clear crackle or maybe just black glaze on the skin. Will fire it in my brick wood burning kiln that I made last fall.

Need to finish the fiber lid for my brick kiln and get this fired and finished by May 1st. I'm hoping to enter this piece in an exhibit at our local Regional Arts Center. If it does well there it will go on to a State Exhibit later this year.

Torso Update

Haste makes waste. Alas, poor torso is dead. I should have waited for some help. I was turning my sculpture over so I could do some work to the other side and it slid right off my plywood board and flattened itself out all over the floor. Damn! Now I have to start all over.

Gettin' Muddy Again

I didn't realize it has been so long since I last posted. It has also been too cold in my studio to tackle any new pottery projects but I did get my hands muddy again this past weekend.

This is my newest project. Pretty ambitious but all is going well. This torso is about 36 inches tall and I was thinking about making a wall hanging out of it. Plan on cleaning it up a bit today after work and we shall see what happens.

In my last post I was restoring an old book press. Thought I could press clay tiles with it. Since it was too cold to throw pots I started carving lino-prints and even a couple wood blocks. Figured that book press would work great to press those prints. My carving skills need some work but I did a pretty good job. Never seen it done before but thought I'd give it a try. Need to buy some ink and some paper and then I'll press some prints.

I guess I've just been too busy with work and too busy dealing with all this crappy winter weather to post anything. As far as the torso, I was thinking about firing it up in my raku kiln.

Tile Press

This is my latest project. I don't know what this is but my buddy Darrel thought if I cleaned it up I could use it as a press to make ceramic tiles.

Sounds good to me and by the looks of it will work quite well. I think the only thing I need to do if I want to make large tiles/slabs is to get two pieces of steel about 36 inches long and the width of this press, one for a bottom base and one for the top.

We'll find out how it works once I get it all cleaned up. Stay tuned.

Treadle Wheel

Spent the weekend cleaning this stand-up treadle wheel with a wire brush, sand paper, and spray paint. I used red and gray paint because they were the original colors.
I don't know much about it. It appears to be home-made and there are no signs or marks on it that would indicate being manufactured, but it seems pretty dang smooth. I did try throwing some clay on it when I first got it. All I can say is it is going to take some practice. Does anybody have some helpful hints for me?

Before

Haven't Posted For a While

Actually, I haven't posted for a long time. I guess I've just been too busy with work, writing for my other blog, Coulee Region Art, and shoveling snow. I haven't made any new pots for a couple of months and am itching to throw some clay and burning to fire a raku kiln.

I am also currently building a website jeffguin.com. Right now I am just figuring out how I want the site set up so I am creating pages and links and adding photos of pottery that I have made in the past. The site tends to change every day but hope to finish it up soon.

Outside of my activities stated above, I plan on finishing the fiber lid for my brick wood burning kiln, clean and tune-up a treadle wheel that is sitting in the studio, fire up the fiber raku kiln, clean the studio, throw some pots---Well, lets just say I'd better get to doing and stop the "planning."

Wood Kiln

The wood kiln is nearing completion. It is looking pretty good and I'm pretty happy about it so far. Here are a few random thoughts about the kiln building process to date.

Plans are good but don't count on following them to "the letter." It ain't gonna happen. My original plans that I drew up don't look like this kiln at all, except that it is 8 feet long and the walls are about 24 inches tall.

Fire bricks are not the same size. They might look like it and might stack nicely on pallets but they definately aint the same size.

Assume from the beginning of the project that you're going to be a brick short. That goes for mortar too. If you're cutting brick, you're going to cut a bunch of them wrong. In fact, just think that you don't have enough of everything on the purchase list to complete the project.

The next step for this project is to purchase some insulating material for the arch and the sides of the kiln. I am thinking about about a home-made mixture of Diotomaceous Earth and Fire Clay, four parts to one.

After work today I am going to light up a fire in this puppy and see how it works. Basically I am just going to play around with the inlet flues and see how the chimney drafts.

Tapered Chimney

It doesn't look like I got much done yesterday, looking at this photo, but at least the taper of the chimney is complete. Well...maybe. right now the opening is 7 inches deep by about 15 inches wide. I'm thinking about adding one more tapered layer of brick to make the interior measurments of the chimney approx 12 inches by 7 inches. I'm not sure how tall the chimney is going to be and I have a few options.

Option 1: I could just use more fire brick and build a nice looking stack. Option 2: I could build up a couple more courses on the chimney using brick and then just place a chimney flue on top of that. The chimney flue is 24 inches tall. And Option 3: I have a 6 foot piece of stainless steel pipe that is 10 inches in diameter. I like the brick idea best but we'll have to see how tall I need to go to create the necessary draft for this kiln.

Anyway, the weather was miserable yesterday, about 90 degrees and wicked humid. I think the dang heat was making me stupid as I cut a lot of bricks to the wrong sizes and even mortared on layer of the chimney without tapering it. Nasty weather. The next step on this project is to start on the insulation on the outside walls.

Wood Kiln Chimney Flues

I'm getting closer to finishing the mortaring. Here is the chimney and flues. One mistake I made was that I did not tie in the first layer of bricks that sit atop the flue brick into the walls of the kiln. I say "Just deal with it."

The measurements at this point are: inside is 23 inches wide and 18 inches tall. The chimney is 8 inches deep and 23 inches wide. This is the point where I am going to start tapering my chimney to get to a 9 by 9 inch hole.

The flues are 7 inches tall. The center flue is 2.5 inches wide and the others are 1-3/8 inches. I didn't follow any principles from any books regarding flue size and intake holes. I just built them based on photos I've seen of other kilns and figured better too big than too small.

Today, if the rain holds off, I hope to finish the tapered chimney and the front of the kiln.

Wood Kiln Construction

Changes, changes, changes. I spent the last two years bugging people about kiln design and construction, looked at bunches of books, plans, etc.....and have come to the conclusion--If you want to build a kiln "JUST START BUILDING!"

I'm serious. Nothing goes according to "plan" and if you stick to that plan and are convinced to follow that plan and make it work---well, more power to you. Its just a big headache. In fact its just a pain in the ass. Have an idea and just start building and solve the problems as they come up.

In this case I've finally started mortaring the brick. Mix is one part sand, 2 part fire clay. I've never really mortared brick before so I took it slow mixing up very small batches in a 5 gallon bucket, although I only mixed about 1/2 gallon of mortar at a time when I first started. Stuff drys fast and I was by myself--a true tyro.

As I was saying. Just build it. The dimensions have changed everytime I put them on paper. Once the bricks were stacked and mortared my dimensions are: 32 inches wide and 81 inches long (outside dimension). Ware chamber is 18 inches tall in this photo but will be 20.5 inches, and 23 inches wide when complete, (approx 9.5 cubic feet). And its 35-1/2 inches long. The fire box is 24 inches long by 23 wide by 20-1/2 inches tall.

I'm still planning on one-inch thick kiln shelves for the roof, layered with soft brick and fiber on top of that.

Still working on the front part of the kiln. Right now I am going to tie-in all the brick and create a door with some air holes in the front.

I should mention that the base is 36 cinder blocks and on top of that a bunch of house brick, then the fire brick. The exterior of the kiln will have a 2 inch layer of insulating material of some sort. Oh! and I did incorporate 2 peek-holes on each side. One in front of the fire box area and one higher against the back wall. I plan on using soft brick to fill these holes.

I'll post some info on the chimney and flues in my next post. But this is where I'm at, at the moment, But, everything is subject to change.

Mouse hole/Grate system

Yesterday I decided that the coffin kiln needed a modification. At first the fire box was just a box with a flat floor. Now it has a mouse hole and a grate system. The bricks in the grate are spaced 1-inch apart and the dimensions of the firebox will now be 29 inches long and 17-1/2 inches tall. The ware chamber is now 34 inches long and 20 inches tall. The walls are one brick thick but I'll be adding a layer of home made insulation to the exterior walls and then adding another course of brick. I hope to start mortaring it together tomorrow.

Wood Kiln Number One

I finally got all my brick laid out for my wood fired kiln. It took the whole weekend playing around, stacking and unstacking, and just getting things "better." Here it is, although I will be making a base of 36 cinder block to restack it on.

Ok, the dimensions: Total length is 8 feet long. The fire box is 18 inches wide, 20 inches tall, and 31 inches long. The ware chamber is 18 inches wide, 37 inches long and 20 inches tall.

The top of the kiln will be spanned with 1-inch thick kiln shelves and covered with a layer of soft insulating brick. I might place a piece of 1-inch fiber on top of that.

This photo shows that I have started to add a second layer of fire brick to the outside walls but I will be replacing this second exterior layer with some red house brick. A friend of mine has a couple pallets of brick that he built his house with so I am going to place these bricks on the outside.

Don't know what else to say about this kiln. I'm just going to fire it up and see if I can get her to cone ten. We'll see how it fires. If it works I'll just buy some more brick and start on a permanent anagama.

The chimney portion is bacically 9 inches deep by 18 inches and it is tappered to accomodate a 6 foot tall stainless steel pipe, 10 inches in diameter.

I used a variety of fire brick that I have collected over the past couple years. There are some Rockspar, Empire S, AP Green Empire D, Warco XX, Mex-R-Co Mo-rex, and some fire brick with a PCE rating of 29 that I have purchased over the years.

Any comments or suggestions would be greatly appreciated. I'm also on face book and have a photo album there of this kiln.

Ramona Raku Kiln

This is my fourth garbage can raku kiln I have made since 2006. I have the complete steps with photos posted on this blog dated Jan. 2006. My first kiln lasted about 2 years. It seemed like I was firing it up every weekend all year long and it also sat outside in the yard. I called it Rusty Raku. One day I forgot to plug the hole and some critters got in and tore up all my fiber. So I built another.

The second kiln lasted about a year but was taken out by a major flood, the kind they say happens once in 100 years. Nothing to cry about. I built another. Less than one year later that once in a 100 year flood struck again, although not as bad, but it still took out my kiln. That was was my fault though because I had a hasty trip to make to the west coast and I forgot to bring my kiln into the studio. Anyway, I built another and am getting pretty good at it.

I call this one Ramona Raku. She is lined with two layers of one inch fiber which is held in place with a combination of sodium silicate and ceramic buttons that I made from heavily grogged raky clay. Looks great and I'm sure it will fire a lot better than my previous kilns, as they only had one layer of fire. Once I clean up my burner I'll fire her up and post some photos. Stay tuned.

Incense Bottle

Raku fired incense bottle, approximately 12 inches tall. What is an incense bottle? Well, you burn incense sticks in it. The end of the wooden stick is placed in a round clip, the incense is lit as normal and then dropped into the bottle. The round clip sits in the neck of the bottle. The incense burns upward and the smoke comes out of the top of the bottle neck. All the ashes fall into the bottom of the bottle. A very safe way to burn incense and I have recently found that there is a big demand for them.

The top of this bottle was glazed with clear crackle raku glaze and then lightly dipped in Green Apple raku glaze. The bottom was glazed with Green Apple as well.

Some New Pots

Just a few of the many pots that I've been working on the past month. The vases on the lower shelf are for gladiolas. Two of them are cone 04 majolica glazed and the other two are cone 10 stoneware reduction fired. Top shelf has a couple more majolica pieces. The green porecelain bowl was made by my friend Ryan Meyers and fired in an electric kiln to cone 6. Next to that is a raku fired bowl made by my friend's daughter Natalie. The three bottles in the back are incense bottles. The one in front is an olive oil dispenser/bottle. They were all fire in and electric kiln to cone 04 and glazed with commericialy bought glazes. And the others are just some of the many raku pieces I fired while my electric kiln was baking away.

Pit Fire Colors

I had problems replying to a comment posted on the "Pit Fire" post so I thought I'd answer it in a regular post. I have found that I get my best colors in the barrel kiln, which I fire completely uncovered until the fire burns itself out. In the pit firing I cover it when I can see the pots through the hot coals. And, it is loosely covered so that it can still get plently of air circulating around the pots. To create colors I sprinkle generous amounts of copper carbonate and miracle grow around the pots. Consistent beautiful colors every time.

Pit Fire

Last Friday I helped students from Viterbo University with Alternative Firing. The get together was held at the instructor's house and we utilized his back yard fire pit for a pit firing. In this photo we have already lined the pit with sawdust, loaded all the pots, piled wood on top of the pots and lit the fire.
The pit was only about one foot deep so we stacked some brick up to increase the depth to about two feet. I also brought my barrel and we did a barrel firing as well. All the pots around the pit are just pre-heating because we fired my raku kiln non-stop, load after load, till 1:30 in the morning. Once the top pots were removed from the top ledge of the pit and raku fired we placed a loosely fit tin cover over the pit and let it burn itself out. I'm guessing we had about 50 pots in the pit. Some were wrapped in tin foil saggers, some had terra sigallata finishes, and some were just plain bisqued pots. We also sprinkled copper carb and some other "magic dust" around the pot to create colors. The good news is everybody had at least one piece that they were extremely happy about but all the pots looked great to me and we had no breakage. All in all I think we fired the raku kiln about a dozen times and between the three kilns fired about 150 pots. We're in the process of taking photos of the finished pots and when that
is done I'll post a slide show of some of our favorites. All I can say is that it was a fantastic and successful event. Stay tuned for the slide show.