I like Clay! It is an addiction, an artistic medium, that allows me the freedom to explore creative energies and urges within me. It allows me the the freedom to be spontaneous and make fun toylike sculptural teapots, such as "Tug-N'-Tea," (see blog archives). I can also take that same ball of clay and make a set of coffee mugs or a set of bowls. Furthermore, clay opens my eyes to different aesthetics when it comes to beauty, form and function. There was a time I would never have thought the shino glazed tea bowl above was beautiful. In fact, I think it is downright gorgeous! I love the imperfection of the form, the soft appearance of the pinholed glaze. And, it feels sooooo good to hold and drink from. I can use different clays, I can use different glazes, I can go in different directions and do anything I want on any given day, just with a ball of clay. Finally, clay allows me the flexibility to create my own unique interpretations of everyday items, functual and non-functual, in the world around me. Am I a potter? Am I an artist? Am I a craftsman? At the moment I do not debate those questions. I just like clay.
I am finally finished with P-Tea-109 and since so many of my friends are interested in how I made this teapot, here it is. Before I start working with clay I actually build a scale model of the boat using thin cardboard. I cut out all the pieces, such as the sides and top, and then tape all the pieces together to form the model. These individual pieces will later become templates that I'll use to cut out my clay peices. I use a low-fire, terra cotta, earthenware clay and start the building process by rolling out slabs of clay approximately 1/4 inch thick. Once these slabs have hardened a bit I use my cardboard templates and cut out the sides of the hull, the deck, the stern etc.... All these pieces are scored with a fork like tool, a liquid clay slip is applied, and the pieces are all "glued" together to form the shape of my boat (a rough shape). This rough shape is then refined using a variety of shaping tools such as trim tools and rubber ribs to smooth the surfaces. This is the "modeling" part of the process which continues until I am happy the teapot. Once the teapot has thouroughly dried it is bisque fired and then decorated with underglazes. Underglazes are kind of like paint and applied like such. In this case I used just two colors, gray for the boat and red for the tips of the torpedo tube ends. The handle was simply made using an extruder, forming the circular shape and attaching to the back of the boat. The army men were made from plaster press molds that I made from plastic toy soldiers. These were also bisque-fired and "painted" with green underglaze. The final firing of the boat involved using a saggar filled with pinecones and sawdust. A saggar is simply a box type form made out of firebrick. The teapot is placed in the saggar (which is inside the kiln), the pincones and sawdust are filled to the top of the sagger and a kiln shelf is placed on top to act as a lid. The kiln is then fired. The sawdust and pinecones burn up creating the random smoke patterns on the boat. The pine cones were used to create spatters of spots that resemble bullet holes or "battle wounds." Unfortunately these do not show up in this photo. P-Tea-109 was saggar fired twice, as I was not happy with the appearance of the first firing. The results of the first firing can be seen as an earlier post to this blog. Keep checking my blog site. More to come shortly, or at least as soon as I can get them done and posted.
Took my first clay classes at Bemidji State University in 1989. In 2002, after a long break, I started more pottery classes at Viterbo University in La Crosse, WI.
I do not have one area of interest, but that isn't to say I am unfocused. I enjoy making everything from coffee mugs to trompe l' oeil. I work with highfire stoneware, and low fire earthenware. I'm just clay crazy.